Sony FX30 Digital Cinema Camera with choice of Sony lens

Rental price per day $ 170.00

PRODUCT HIGHLIGHTS

Come with the Sony lens of your choice (Series 1 lenses only)
26.1MP APS-C BSI CMOS Sensor
UHD 4K up to 120p
Compact Form Designed for Cage-Free Use
10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
S-Cinetone/S-Log3/HLG, 14+ Stops DR
Phase Detection AF/Face Tracking/Eye AF
Standard ISO 100-32000 | Dual Base ISO
Dual CFexpress Type A/SDXC Card Slots
User LUTs & Timecode Sync Support

Category: DSLR, Mirrorless Cameras & Lenses

Description
Rental Terms and Conditions

Description

Leveraging the power of a newly-developed APS-C sensor, the Sony FX30 provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.

Cinematic Expression

26MP APS-C/Super 35mm Exmor R BSI CMOS Sensor

The FX30’s advanced imaging system is on par with other options in Sony’s Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.

High-sensitivity recording at up to ISO 32000 and Dual Base ISO (800/2500).
When using S-Log3, the FX30 can capture 14+ stops of dynamic range.
Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.
Full pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.
High-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.
The HDMI output supports 16-bit raw video to select, separately available recorders.

Professional Picture Control

Filmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:

S-Cinetone uses the same color science as Sony’s advanced cinema cameras, including the VENICE line, with natural midtones, soft colors, and smooth highlight roll-off.
Picture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.
Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera’s monitor or EVF as well as the HDMI output.

Operation for All Levels

Professional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:

Flexible ISO uses standard ISO settings for simple operation and the greatest flexibility.
Cine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.
Cine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.

Intuitive Operation and Controls

Fast Hybrid AF

Enjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.

Real-time Eye AF and Real-time Tracking will track the eyes of humans and animals.
AF Assist function will automatically switch to manual focus with a turn of the lens’ focus ring.
Focus Map makes it easier to visualize the region of focus in your scene

5-Axis In-Body Image Stabilization

Sony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.

Comprehensive Feature Set

Plenty of Sony’s cinema features have found their way into the FX30:

Breathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.
Timecode sync input with optional VMC-BNCM1 Timecode Adapter Cable
Tally lights for an easy indication that the camera is recording.

Catalyst Browse and Prepare Integration

The FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony’s Catalyst Browse and Prepare software.

Metadata recorded includes:

Embedded LUT and Exposure Index (EI) data.
Gyro and lens stabilization metadata to further reduce camera shake.
Breathing compensation can be manually controlled and adjusted.
Camera rotation metadata will ensure the footage is displayed as intended.
Shot marks can be added to clips during or after recording for reference

Ergonomic Form for Solo Operation

Lightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.

The body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.

Lightweight body weighs just 1.2 lb.
Dedicated zoom rocker.
Fully customizable button layout.
Five 1/4″-20 threaded mounting points for accessories.
Multi Interface Shoe supports advanced accessories.
Active cooling fan permits uninterrupted shooting during extended takes.
Sporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.

A Plethora of Connectivity Options

The FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:

Full-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.
Audio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.
USB-C connection can be used for high-speed data transfer or for powering the camera.
Multi-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.
Timecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.
Multi Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.

Media Options

For recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30’s most advanced recording functions while SD cards are often more common and still have great speed and high capacities.

Updated Menu System

The FX30 benefits from a tweaked control menu that makes it more intuitive to operate:

The main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.
The shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.

INSPECTION - The customer agrees that the equipment supplied by Able and listed below (The Equipment) is received in good working order and suitable for use and that the Renter is familiar with its operation. On return of Equipment Able staff will inspect all items if the Renter does not wait for inspection Able Video & Multimedia may charge Renter for any damaged found during inspection.

PAYMENT - The Renter agrees to pay Able rental charges until the equipment is returned in good working order and any other applicable charges specified in this agreement.

LATE RETURN - The Renter agrees to return the equipment to Able’s facility on time or pay extra rental charges due on a pro rata basis.

BREAKDOWN - The Renter shall notify Able Video and Multimedia of any breakdown of the Equipment and not attempt repairs. The Renter will not interfere in any way with any mechanical fittings or appliances attached to or forming part of the Equipment or, without the written consent of Able, have any repairs effected thereto by any person other than an employee of Able or such person as Able may nominate. The Renter agrees to accept Able or it’s qualified repairer’s determination as to whether the Equipment is faulty and the cause of the breakdown.

DAMAGE - The Renter agrees to pay for damage to the equipment. In the case of damage or injury (by fire, storm or through any cause whatsoever) to/by the equipment, it is agreed that the cost of repair, replacement or damages as the case may be (and any charges payable according to this agreement), shall be paid by the Renter to Able on demand. Any such charges may be deducted from a deposit (if taken) left by the Renter and the Renter shall pay the excess to Able Video and Multimedia on demand.

COMPENSATION - The customer agrees to pay for the cost of equipment lost or stolen.The Customer shall also pay to Able Video and Multimedia on demand a sum equal to the rental charges which Able Video and Multimedia could have obtained for the period from the date of commencement of the rental of the equipment damaged, lost or stolen to the date of receipt by Able Video and Multimedia of Payment of the repair or replacement.

INDEMNITY- The customer is responsible for accidents caused by use of the equipment.The Customer indemnifies, and keeps indemnified, Able Video and Multimedia in respect of its liability for personal injuries, property damages and any associated legal expenses arising out of any accident which might be caused by or contributed to by, or arise out of the use, operation or handling of the equipment during the term of rental.

RECOVERY OF EQUIPMENT - Able Video and Multimedia has the right to recover the Equipment if charges are not paid and the renter is responsible for any costs associated with the recovery process.

NO WARRANTY OR GUARANTEE – Able gives no warranty, express or implied, as to description, quality, merchantability, fitness for any particular purpose, productiveness, or any other matter of operation of the Equipment and accepts no responsibility for it’s use by the Renter. The Renter hereby waives any such remedies, warranties, guarantees or liabilities, expressed or implied, arising by law or otherwise, against Able.

GENERAL OBLIGATIONS OF CUSTOMER

The customer is responsible for pickup and delivery/return from/ to Able Video and Multimedia’s facility during business hours unless otherwise stated in this agreement. The equipment shall not be considered returned until a full inventory has been completed and any missing equipment or replacements for damaged parts have been delivered to Able Video and Multimedia’s facility.

The Customer acknowledges that all equipment rented remains the property of Able Video and Multimedia at all times and the Customer will not sell, charge, pledge or part with possession of the equipment.

The Renter shall insure, at their expense, all the Equipment at all times during the rental, for full replacement cost and for loss of use of the Equipment. Coverage must begin from before the time the Renter takes delivery of the Equipment and continue until the time the Equipment is returned and the rental expires. The Renter shall insure for risk coverage that is greater or equal to the replacement cost of all Equipment and any rental or other charges payable under this agreement, including transit/shipping, Public & other Liability Coverage, Property Insurance and Workers Compensation Insurance, prior to taking delivery of Equipment. Such insurance shall be written by reputable insurers. Notwithstanding this paragraph, the Renter shall remain primarily liable to Able for full performance under the terms and conditions of this Rental agreement and Able may enforce it’s remedies directly against the Renter without resort to their insurance.

Upon taking taken delivery of the equipment, the Renter’s responsibility includes, but is not limited to, risks while in transit, at all locations named and unnamed, and while in use, or storage at Able Video and Multimedia’s facility. The Renter’s responsibility is discharged when the equipment is returned and the rental term has expired. Equipment will not be deemed to have been returned until all of the following conditions have been met: 1) property has been brought back to the premises during normal business hours; 2) an inventory has been completed and a missing and damaged list has been compiled, if needed; and 3) the term of the Rental Contract has expired.

The Customer acknowledges having received the equipment in good working order and condition. The Customer may test the equipment at Able Video and Multimedia’s facility before taking delivery to ensure it is in good working order and condition prior to taking delivery. The Customer will use the equipment in a careful and proper manner and permit only skilled and experienced personnel to use the equipment and will not use the equipment in connection with any dangerous or hazardous activity.