Sony NEX-FS700 NXCAM Digital Camcorder Kit w/Odyssey 7Q Recorder

//Sony NEX-FS700 NXCAM Digital Camcorder Kit w/Odyssey 7Q Recorder

Sony NEX-FS700 NXCAM Digital Camcorder Kit w/Odyssey 7Q Recorder

$ 300.00

Sony NEX-FS700 NXCAM Digital Camcorder + Sony 18-200 Servo Lens or Canon 24-105mm lens with Metabones Speed Booster, and Convergent Design Odyssey 7Q Recorder.

Description

The Sony NEX-FS700R Super 35 Camcorder body is an update to Sony’s NEX-FS700U that enables 4K/2K 12-bit RAW output and S-Log2 recording capabilities. It retains all the features of the NEX-FS700U, including the native 4K sensor, Super Slow Motion recording, built-in ND filters, and CineGamma curves. 4K/2K RAW is recorded to the Sony AXS-R5 Recorder via the HXR-IFR5 Interface Unit, or to compatible third party recorders such as Convergent Design’s Odyssey 7Q via the 3G/HD-SDI output. The HXR-IFR5 Interface Unit and external recorders are sold separately.

The Super 35mm sized sensor matches that of standard film and digital cinema cameras. It accepts interchangeable E-mount lenses, as well as a variety of 35mm SLR and DSLR lenses and professional cinema lenses with the use of optional third party adapters. On-board, the NEX-FS700R shoots full 1080p video in a range of frame rates up to 60p, with bursts of up to 240 fps in full HD resolution and 960fps at lower resolutions. When used with the HXR-IFR5 Interface Unit and AXS-R5 Recorder, you can record continuous 2K RAW at up to 240fps and 4K RAW at up to 60fps. 120fps 4K RAW recording is possible in 4 second bursts. This makes the NEX-FS700R a high-speed, 4K camera ready for professional shoots such as indie films, commercials, corporate videos, and music videos.

You have the option of recording AVCHD footage onto SD cards, Memory Stick Duo, or the HXR-FMU128 Flash Memory Unit via the FMU port. It can also output 4:2:2 uncompressed HD video via HDMI 1.4 or 3G/HD-SDI to an external recording unit. For enhanced exposure latitude, CineGamma curves, including S-Log2, and 800% 709 gamma curves are available. Other features include an ISO range of 320 to 64,000, a shotgun microphone with mount/carrying handle, dual XLR inputs for recording uncompressed, professional-level sound, a 3.5″ LCD panel with detachable with viewfinder attachment, and built-in ND filters.

Super 35mm Exmor CMOS Sensor
The Super 35mm sized Exmor CMOS sensor matches that of standard film and digital cinema cameras. The sensor’s large size offers a variety of advantages over small sensor cameras, including increased control over depth of field, higher sensitivity in low light, lower image noise, and improved dynamic range.
E-Mount Interchangeable Lens System
Sony’s E-mount gives you the flexibility to use a wide variety of lenses with the NEX-FS700R. Shoot with high-quality Sony E-mount lenses or with Sony A-mount lens via the optional LA-EA1 mount adapter. You can also use 35mm SLR and DSLR lenses or professional cinema lenses with the use of optional third party adapters.
On-Board AVCHD Recording & Optional Flash Memory Unit
The camcorder supports Full HD 1920×1080 video at 60p, 30p, and 24p. Video is recording using the AVCHD codec at up to 28Mbps. One memory slot accepts either Memory Stick Duo or SD/SDHC/SDXC cards. You also have the option of recording to the optional HXR-FMU128 Flash Memory Unit using the FMU port. The HXR-FMU128 allows record times of 10 hours at 28Mbps. Simultaneous recording to the SD memory card and HXR-FMU128 is supported.
Slow & Quick Motion Recording
Shoot 120 and 240 fps bursts at Full HD 1920×1080 for super slow motion. Playback at 24 fps yields slow motion at 1/5 and 1/10 normal speed. At reduced resolutions, 480 and 960 fps bursts are available for even more creative possibilities. Other slow and quick motion frame rates available are 60, 30, 15, 8, 4, 2 and 1 fps in 60 Hz mode, or 50, 25, 12, 6, 3, 2 and 1 fps in 50 Hz mode.
4K/2K 12-Bit RAW Output
When used with the HXR-IFR5 Interface Unit and AXS-R5 Recorder, sold separately, you can continuously record 2K RAW up to 240fps and 4K RAW at up to 60fps, and 120fps in 4 second bursts. 120 and 240fps 2K is also supported by the Convergent Design Odyssey 7Q. For lower resolution proxy files, you can simultaneously record to the AXS-R5 and to the camera’s internal memory cards. Files will have matching time code, start frame, stop frame, file names, and other metadata.
Modular Design
Depending on your needs, the modular design lets you add a matte box, rods, and viewfinder hood for shoulder-mount shooting, or lets you leave the camera stripped down for lightweight, handheld use. A top handle attaches with two screws and the right side of the FS700U features an industry-standard Arri rosette mount for adding handles and other accessories. 1/4-inch and 3/8-inch screw holes on the top and bottom provide support for a range of accessories. The tape-measure hook and image sensor position index help when measuring focus on set. There is also a Hold switch to prevent accidental setting changes during a shot.
Uncompressed 4:2:2 Output & RGB Output via HDMI 1.4
Output 4:2:2 uncompressed HD video with embedded timecode via HDMI 1.4 or 3G/HD-SDI to external recording units.
Additional Features
  • 50/60 Hz switchable
  • Four ND filter levels: clear, 2, 4 & 6 stops
  • CineGamma settings, including S-Log2 for wide exposure range
  • 800% 709 gamma curves
  • ISO 320 to ISO 64,000 sensitivity
  • LCD markers include 4:3, 13:9, 14:9, 15:9, 1.66:1, 1.85:1, and 2.35:1
  • 3.5″ LCD screen with viewfinder attachment
  • Dual XLR inputs
  • Face detection
  • Auto/manual iris and focus with Sony lenses
  • Removable grip features four easy-to-use buttons including Start/Stop, Photo, 4x/8x expandable focus and push-button auto iris
  • Display offers video/film selections for distance (meters/feet), sensitivity (dB gain/ISO) and shutter (speed/angle)
  • Store up to 99 Picture Profile settings

INSPECTION - The customer agrees that the equipment supplied by Able and listed below (The Equipment) is received in good working order and suitable for use and that the Renter is familiar with its operation. On return of Equipment Able staff will inspect all items if the Renter does not wait for inspection Able Video & Multimedia may charge Renter for any damaged found during inspection.


PAYMENT - The Renter agrees to pay Able rental charges until the equipment is returned in good working order and any other applicable charges specified in this agreement.



LATE RETURN - The Renter agrees to return the equipment to Able’s facility on time or pay extra rental charges due on a pro rata basis.


BREAKDOWN - The Renter shall notify Able Video and Multimedia of any breakdown of the Equipment and not attempt repairs. The Renter will not interfere in any way with any mechanical fittings or appliances attached to or forming part of the Equipment or, without the written consent of Able, have any repairs effected thereto by any person other than an employee of Able or such person as Able may nominate. The Renter agrees to accept Able or it’s qualified repairer’s determination as to whether the Equipment is faulty and the cause of the breakdown.


DAMAGE - The Renter agrees to pay for damage to the equipment. In the case of damage or injury (by fire, storm or through any cause whatsoever) to/by the equipment, it is agreed that the cost of repair, replacement or damages as the case may be (and any charges payable according to this agreement), shall be paid by the Renter to Able on demand. Any such charges may be deducted from a deposit (if taken) left by the Renter and the Renter shall pay the excess to Able Video and Multimedia on demand.

COMPENSATION - The customer agrees to pay for the cost of equipment lost or stolen.The Customer shall also pay to Able Video and Multimedia on demand a sum equal to the rental charges which Able Video and Multimedia could have obtained for the period from the date of commencement of the rental of the equipment damaged, lost or stolen to the date of receipt by Able Video and Multimedia of Payment of the repair or replacement.

INDEMNITY- The customer is responsible for accidents caused by use of the equipment.The Customer indemnifies, and keeps indemnified, Able Video and Multimedia in respect of its liability for personal injuries, property damages and any associated legal expenses arising out of any accident which might be caused by or contributed to by, or arise out of the use, operation or handling of the equipment during the term of rental.

RECOVERY OF EQUIPMENT - Able Video and Multimedia has the right to recover the Equipment if charges are not paid and the renter is responsible for any costs associated with the recovery process.

NO WARRANTY OR GUARANTEE – Able gives no warranty, express or implied, as to description, quality, merchantability, fitness for any particular purpose, productiveness, or any other matter of operation of the Equipment and accepts no responsibility for it’s use by the Renter. The Renter hereby waives any such remedies, warranties, guarantees or liabilities, expressed or implied, arising by law or otherwise, against Able.

GENERAL OBLIGATIONS OF CUSTOMER

The customer is responsible for pickup and delivery/return from/ to Able Video and Multimedia’s facility during business hours unless otherwise stated in this agreement. The equipment shall not be considered returned until a full inventory has been completed and any missing equipment or replacements for damaged parts have been delivered to Able Video and Multimedia’s facility.

The Customer acknowledges that all equipment rented remains the property of Able Video and Multimedia at all times and the Customer will not sell, charge, pledge or part with possession of the equipment.

The Renter shall insure, at their expense, all the Equipment at all times during the rental, for full replacement cost and for loss of use of the Equipment. Coverage must begin from before the time the Renter takes delivery of the Equipment and continue until the time the Equipment is returned and the rental expires. The Renter shall insure for risk coverage that is greater or equal to the replacement cost of all Equipment and any rental or other charges payable under this agreement, including transit/shipping, Public & other Liability Coverage, Property Insurance and Workers Compensation Insurance, prior to taking delivery of Equipment. Such insurance shall be written by reputable insurers. Notwithstanding this paragraph, the Renter shall remain primarily liable to Able for full performance under the terms and conditions of this Rental agreement and Able may enforce it’s remedies directly against the Renter without resort to their insurance.

Upon taking taken delivery of the equipment, the Renter’s responsibility includes, but is not limited to, risks while in transit, at all locations named and unnamed, and while in use, or storage at Able Video and Multimedia’s facility. The Renter’s responsibility is discharged when the equipment is returned and the rental term has expired. Equipment will not be deemed to have been returned until all of the following conditions have been met: 1) property has been brought back to the premises during normal business hours; 2) an inventory has been completed and a missing and damaged list has been compiled, if needed; and 3) the term of the Rental Contract has expired.

The Customer acknowledges having received the equipment in good working order and condition. The Customer may test the equipment at Able Video and Multimedia’s facility before taking delivery to ensure it is in good working order and condition prior to taking delivery. The Customer will use the equipment in a careful and proper manner and permit only skilled and experienced personnel to use the equipment and will not use the equipment in connection with any dangerous or hazardous activity.