Blackmagic Design ATEM Mini Pro ISO HDMI Live Stream Switcher

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Blackmagic Design ATEM Mini Pro ISO HDMI Live Stream Switcher

Rental price per day $ 150.00

  • 4-Channel Live Stream HDMI Switcher
  • Program and 4 x Input ISO Recording
  • Generates DaVinci Resolve Project
  • Live Tally, Stream, and Record Status
  • Record Button, Channel Preview Multiview
  • 2-Channel Digital Audio Mixer per Source
  • HDMI Output, Ethernet ATEM Control
  • Media Player, Computer Input Support
  • Upstream and Downstream Keyers
  • DVE Transition, Chroma/Luma Keyers

Description

The ATEM Mini Pro ISO HDMI Live Stream Switcher from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet via Ethernet output. It features a USB output that allows you to record the program output as well as record the individual HDMI inputs to an external USB drive (not included). In addition to recording the program stream and individual inputs, the ATEM Mini Pro ISO also records the embedded audio and analog audio inputs, generating a DaVinci Resolve project file of your live stream. This allows you to take your live production into DaVinci Resolve to make tweaks or adjustments using the source material that is already on your USB drive.

The ATEM Mini Pro ISO retains the same size, button layout, and rear panel interface connections as the ATEM Mini Pro, with new electronics that allow for the ISO recording and generation of the DaVinci project file. The ATEM Mini Pro ISO supports all the same features as the ATEM Mini Pro including upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats. The ATEM Software Control Panel is used for control and configuration, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. And you can use the panel to set up streaming to an optional Blackmagic Design Streaming Bridge anywhere in the world, as long as it is connected to the internet.

General

  • Connecting a USB drive to the ATEM Mini Pro ISO’s USB port enables capturing the switched program stream, as well as up to four isolated (ISO) recordings of input video, as well as embedded audio, analog input audio, graphics, and a DaVinci Resolve project file of your switched program
  • The device has the same footprint, layout, and connections of the ATEM Mini Pro
  • Stream video up to 1080p HD
  • Quick stream, on-air, and record buttons
  • Hardware encoder so there’s no need for additional streaming software
  • Control and configure timecode, stream status
  • Full support and control features for BMPCC 6K/4K cameras
  • Simultaneous USB recording
  • Integration with MultiDock for live hard drive switching
  • Customize advanced settings with XML files
  • Software multiview with program previews, graphics, record status, on-air status, and audio meters
  • Program preview input and output buttons
  • Tally light control for BMPCC 6K/4K cameras
  • Automatic timecode sync for all cameras

Transitions

Available transitions include:

  • Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
  • Mix: The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
  • Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
  • Wipe: Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
  • DVE: With the powerful built-in digital video effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.

Upstream Keyer

Layer live video over other video sources or graphics with the upstream keyer. You can use the luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.

  • Luma key: Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
  • Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
  • Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
  • Pattern key: Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

Downstream Keyers

The ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.

Audio Mixer

The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable on/off and audio-follow-video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.

Monitor Output

The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.

Media Player

Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.

INSPECTION - The customer agrees that the equipment supplied by Able and listed below (The Equipment) is received in good working order and suitable for use and that the Renter is familiar with its operation. On return of Equipment Able staff will inspect all items if the Renter does not wait for inspection Able Video & Multimedia may charge Renter for any damaged found during inspection.


PAYMENT - The Renter agrees to pay Able rental charges until the equipment is returned in good working order and any other applicable charges specified in this agreement.



LATE RETURN - The Renter agrees to return the equipment to Able’s facility on time or pay extra rental charges due on a pro rata basis.


BREAKDOWN - The Renter shall notify Able Video and Multimedia of any breakdown of the Equipment and not attempt repairs. The Renter will not interfere in any way with any mechanical fittings or appliances attached to or forming part of the Equipment or, without the written consent of Able, have any repairs effected thereto by any person other than an employee of Able or such person as Able may nominate. The Renter agrees to accept Able or it’s qualified repairer’s determination as to whether the Equipment is faulty and the cause of the breakdown.


DAMAGE - The Renter agrees to pay for damage to the equipment. In the case of damage or injury (by fire, storm or through any cause whatsoever) to/by the equipment, it is agreed that the cost of repair, replacement or damages as the case may be (and any charges payable according to this agreement), shall be paid by the Renter to Able on demand. Any such charges may be deducted from a deposit (if taken) left by the Renter and the Renter shall pay the excess to Able Video and Multimedia on demand.

COMPENSATION - The customer agrees to pay for the cost of equipment lost or stolen.The Customer shall also pay to Able Video and Multimedia on demand a sum equal to the rental charges which Able Video and Multimedia could have obtained for the period from the date of commencement of the rental of the equipment damaged, lost or stolen to the date of receipt by Able Video and Multimedia of Payment of the repair or replacement.

INDEMNITY- The customer is responsible for accidents caused by use of the equipment.The Customer indemnifies, and keeps indemnified, Able Video and Multimedia in respect of its liability for personal injuries, property damages and any associated legal expenses arising out of any accident which might be caused by or contributed to by, or arise out of the use, operation or handling of the equipment during the term of rental.

RECOVERY OF EQUIPMENT - Able Video and Multimedia has the right to recover the Equipment if charges are not paid and the renter is responsible for any costs associated with the recovery process.

NO WARRANTY OR GUARANTEE – Able gives no warranty, express or implied, as to description, quality, merchantability, fitness for any particular purpose, productiveness, or any other matter of operation of the Equipment and accepts no responsibility for it’s use by the Renter. The Renter hereby waives any such remedies, warranties, guarantees or liabilities, expressed or implied, arising by law or otherwise, against Able.

GENERAL OBLIGATIONS OF CUSTOMER

The customer is responsible for pickup and delivery/return from/ to Able Video and Multimedia’s facility during business hours unless otherwise stated in this agreement. The equipment shall not be considered returned until a full inventory has been completed and any missing equipment or replacements for damaged parts have been delivered to Able Video and Multimedia’s facility.

The Customer acknowledges that all equipment rented remains the property of Able Video and Multimedia at all times and the Customer will not sell, charge, pledge or part with possession of the equipment.

The Renter shall insure, at their expense, all the Equipment at all times during the rental, for full replacement cost and for loss of use of the Equipment. Coverage must begin from before the time the Renter takes delivery of the Equipment and continue until the time the Equipment is returned and the rental expires. The Renter shall insure for risk coverage that is greater or equal to the replacement cost of all Equipment and any rental or other charges payable under this agreement, including transit/shipping, Public & other Liability Coverage, Property Insurance and Workers Compensation Insurance, prior to taking delivery of Equipment. Such insurance shall be written by reputable insurers. Notwithstanding this paragraph, the Renter shall remain primarily liable to Able for full performance under the terms and conditions of this Rental agreement and Able may enforce it’s remedies directly against the Renter without resort to their insurance.

Upon taking taken delivery of the equipment, the Renter’s responsibility includes, but is not limited to, risks while in transit, at all locations named and unnamed, and while in use, or storage at Able Video and Multimedia’s facility. The Renter’s responsibility is discharged when the equipment is returned and the rental term has expired. Equipment will not be deemed to have been returned until all of the following conditions have been met: 1) property has been brought back to the premises during normal business hours; 2) an inventory has been completed and a missing and damaged list has been compiled, if needed; and 3) the term of the Rental Contract has expired.

The Customer acknowledges having received the equipment in good working order and condition. The Customer may test the equipment at Able Video and Multimedia’s facility before taking delivery to ensure it is in good working order and condition prior to taking delivery. The Customer will use the equipment in a careful and proper manner and permit only skilled and experienced personnel to use the equipment and will not use the equipment in connection with any dangerous or hazardous activity.

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