- 7″ 1920 x 1200 Touchscreen Display
- 4K60 HDMI 2.0 In/Out, 2K60 3G-SDI In/Out
- 2200 cd/m² Brightness
- HDMI/SDI Cross Conversion
- 2.5mm Camera Control Port for Z CAM E2
- Dual Sony L-Series Battery Slots
- AtomOS; AtomHDR & 3D LUT Support
- 10-Stop Dynamic Range
- Supports a Variety of Log Formats
Atomos Shinobi SDI 7″ 4K HDMI high brightness HDR monitor
Rental price per day $ 60.00
Description
Add a bright, high-resolution monitor to view your 4K/2K footage from a cinema camera such as a Z CAM E2, Panasonic BGH1, or RED KOMODO with the Shinobi 7″ 4K HDMI/SDI Monitor from Atomos. This 7″ on-camera monitor features a 1920 x 1200 10-bit FRC IPS display with a brightness of 2200 cd/m², which makes it suitable for use in both exterior and interior conditions. This larger model improves on the original Shinobi as it adds 3G-SDI input and loop output up to 2K60, HDMI 2.0 input and loop output up to 4K60, signal cross conversion, a camera control port, dual L-series battery slots, and future possibilities with its built-in USB and RJ45 ports.
The touchscreen Shinobi 7 runs the latest AtomOS firmware that features a variety of onscreen analysis tools such as multi-scope views, exposure, framing, focus assist, waveform, RGB parade, and histogram tools. It also features an SDI card input to load custom 3D LUTs, and it supports SDR and HDR viewing. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras.
It also supports camera control using its 2.5mm control port and optional cables, and it currently supports control of the Z CAM E2 series of cinema cameras. Built to withstand the rigors of production, the Shinobi 7 features a lightweight chassis and powers from a dual L-series battery plate or using the included power adapter.
AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera’s LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
- ARRI Log CEI160 / CEI200 / CEI250 / CEI320 / CEI400 / CEI500 / CEI640 / CEI800 / CEI1000 / CEI1280 / CEI1600
- Canon CLog / CLog 2 / CLog 3
- Fuji F-Log
- JVC JLog
- Nikon N-Log
- Sony SLog / SLog2 / SLog3
- Panasonic Vlog
- RED Log3G10 / RED LogFilm
- PQ10k
- HLG
HDR Monitoring
- Sony SGamut / SGamut3 / SGamut3.cine
- Canon Cinema / DCI P3 / DCI P3+
- Panasonic V Gamut
- ARRI ALEXA Wide Gamut
- Rec. 709 / BT.2020
- JVC
- RED WideGamut / RED DragonColor / DragonColor2
- RED Color2 / RED Color3 / RED Color4
DCI/UHD 4K and 2K Input/Output
Monitor 4K footage in DCI or UHD formats via HDMI 2.0 up to 60 fps and up to 2K60 via 3G-SDI.
Output signal via HDMI and 3G-SDI loop outputs.
The Shinobi 7 features HDMI/SDI cross conversion support.
Audio Monitoring
Input/output audio via HDMI and output audio using the 3.5mm headphone port for convenient audio monitoring.
7″ Daylight Viewable Screen
The Shinobi 7 features a 7″ IPS LCD 1920 x 1200 screen that is illuminated by a bright 2200 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. With the Shinobi’s built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
Power Options
The back of the monitor features dual L-series battery slots for longer shoot durations, and a universal power adapter is also included.
Camera Control
The monitor features a 2.5mm control port that currently supports control of Z CAM E2 series cinema cameras, while future camera control support is pending.
Anamorphic De-Squeeze
The Shinobi 7 supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic’s 8:3.
3D LUT Management
An SD card slot allows you to load custom 3D LUTs and apply them to both input and output signals.
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COMPENSATION - The customer agrees to pay for the cost of equipment lost or stolen.The Customer shall also pay to Able Video and Multimedia on demand a sum equal to the rental charges which Able Video and Multimedia could have obtained for the period from the date of commencement of the rental of the equipment damaged, lost or stolen to the date of receipt by Able Video and Multimedia of Payment of the repair or replacement.
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GENERAL OBLIGATIONS OF CUSTOMER
The customer is responsible for pickup and delivery/return from/ to Able Video and Multimedia’s facility during business hours unless otherwise stated in this agreement. The equipment shall not be considered returned until a full inventory has been completed and any missing equipment or replacements for damaged parts have been delivered to Able Video and Multimedia’s facility.
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The Renter shall insure, at their expense, all the Equipment at all times during the rental, for full replacement cost and for loss of use of the Equipment. Coverage must begin from before the time the Renter takes delivery of the Equipment and continue until the time the Equipment is returned and the rental expires. The Renter shall insure for risk coverage that is greater or equal to the replacement cost of all Equipment and any rental or other charges payable under this agreement, including transit/shipping, Public & other Liability Coverage, Property Insurance and Workers Compensation Insurance, prior to taking delivery of Equipment. Such insurance shall be written by reputable insurers. Notwithstanding this paragraph, the Renter shall remain primarily liable to Able for full performance under the terms and conditions of this Rental agreement and Able may enforce it’s remedies directly against the Renter without resort to their insurance.
Upon taking taken delivery of the equipment, the Renter’s responsibility includes, but is not limited to, risks while in transit, at all locations named and unnamed, and while in use, or storage at Able Video and Multimedia’s facility. The Renter’s responsibility is discharged when the equipment is returned and the rental term has expired. Equipment will not be deemed to have been returned until all of the following conditions have been met: 1) property has been brought back to the premises during normal business hours; 2) an inventory has been completed and a missing and damaged list has been compiled, if needed; and 3) the term of the Rental Contract has expired.
The Customer acknowledges having received the equipment in good working order and condition. The Customer may test the equipment at Able Video and Multimedia’s facility before taking delivery to ensure it is in good working order and condition prior to taking delivery. The Customer will use the equipment in a careful and proper manner and permit only skilled and experienced personnel to use the equipment and will not use the equipment in connection with any dangerous or hazardous activity.
